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- 12. August 2008
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INSILVIS valet hangers express handiness in beauty. Installation is foolproof and steady, versatile functionality is an important goal achieved. Use-value is a pleasant pretense to achieve a significant contribution to the definition of a contemporary domestic space, where abstract items turn into experienced and personal objects and where say-nothing things acquire relational emotionality. Symbolic and figurative iconography, gentle and ironic, casts a bright and tender light, thus revealing the poetic contents of everyday life. Forms and volumes are made vibrant by light that meets the matter: stainless steel reacts always in a different way to both natural and artificial light. Sometimes regains a warm and saturated shade, sometimes casts cold dazzles, sometimes dilutes itself into a vague whiteness, as if to nullify the density of matter. These objects can offer enduring satisfactions: by reason of the of the iconographic freshness and intensity they place themselves beyond fashions and they do not fear taste swing; by reason of the intrinsic quality of materials and production they avoid premature obsolescence. Beyond emotion and surprise of the first encounter, a emotional reflection on our living spaces. QUID expresses abstraction and essentiality: it alludes to inner order. EYE takes cue from figurative themes of eye and eyesight by means of light: night inner light, solar day light. OH! offers freshness and semantic complexity of exclamations. ANGELICA is the projection of a timeless image: in the clearness of memory she expresses the renewed astonishment at a new sunup.
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INSILVIS valet hangers express handiness in beauty. Installation is foolproof and steady, versatile functionality is an important goal achieved. Use-value is a pleasant pretense to achieve a significant contribution to the definition of a contemporary domestic space, where abstract items turn into experienced and personal objects and where say-nothing things acquire relational emotionality. Symbolic and figurative iconography, gentle and ironic, casts a bright and tender light, thus revealing the poetic contents of everyday life. Forms and volumes are made vibrant by light that meets the matter: stainless steel reacts always in a different way to both natural and artificial light. Sometimes regains a warm and saturated shade, sometimes casts cold dazzles, sometimes dilutes itself into a vague whiteness, as if to nullify the density of matter. These objects can offer enduring satisfactions: by reason of the of the iconographic freshness and intensity they place themselves beyond fashions and they do not fear taste swing; by reason of the intrinsic quality of materials and production they avoid premature obsolescence. Beyond emotion and surprise of the first encounter, a emotional reflection on our living spaces. QUID expresses abstraction and essentiality: it alludes to inner order. EYE takes cue from figurative themes of eye and eyesight by means of light: night inner light, solar day light. OH! offers freshness and semantic complexity of exclamations. ANGELICA is the projection of a timeless image: in the clearness of memory she expresses the renewed astonishment at a new sunup.
Weiterlesen...
